Wanda Gillespie

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Te Wai abacus, 2024
Cedar, Stainless Steel, Powder coating, Oil, Enamel, Marine Varnish
1650 x 1200 x 100mm

Wanda Gillespie's ongoing exploration of the abacus began with an interest in the "divine mathematics" found in nature. Over time, these works have evolved into reflections on systems of value, environmental fragility, and the structures that shape how we measure progress.

In Te Wai Abacus, flowing graphic forms reference waterways throughout Aotearoa, evoking both movement and vulnerability. The work considers the environmental consequences of perpetual-growth economies, particularly the degradation of rivers and other bodies of water.

The sculpture's triangular frame carries layered associations, from mountain summit markers to the roofline of a wharenui. These references ground the work in ideas of geography, belonging, and home, while connecting the natural and cultural landscapes of Aotearoa.

Playful and interactive, Te Wai Abacus invites visitors to move the beads and engage physically with the sculpture. As viewers look through the work toward the surrounding landscape, the environment itself becomes part of the artwork, encouraging reflection on the relationship between people, place, and natural systems.

"Through these abacus works I'm interested in ideas of natural systems, value, and the environmental impacts of the perpetual-growth economies we are part of."

— Wanda Gillespie

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Te Wai abacus
Te Wai abacus
Te Wai abacus
Te Wai abacus
Te Wai abacus
Te Wai abacus
Te Wai abacus

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Artist Bio

 
Wanda Gillespie is an Australian/New Zealand contemporary artist based in Tāmaki Makaurau, Aotearoa New Zealand.

She holds a Bachelor of Fine Arts (Intermedia) from Elam School of Fine Art, Auckland University (2003) and a Master of Fine Arts by Research with First Class Honours from the Victorian College of the Arts, Melbourne University (2009).

Her sculptural works and performative actions seek transcendence through the reimagining of known forms.

A belief in the spiritual potency of physical objects drives her work. Through pairings or groupings, like the constellation of stars, a cause and effect occurs, an alchemy of form, material and space. Wood is chosen for it’s energetic qualities, a conduit connecting to whenua/place. A once living growing entity, now ripened for the sculptors chisel, peeling back layers of seasons, to extract a truth in shape from the invisible worlds.

Over the past decade she has refined her craft as a woodcarver through the creation of evocative portrait sculptures, combining detailed and abstracted, ancient and contemporary form. Familiar objects, are reimagined with alternate uses, history, culture and ceremony. By using traditional craft techniques in contemporary ways, she questions known histories and the nature of reality.

Gillespie has established a significant practice with numerous solo exhibitions, awards and residencies. She was recently awarded the 2020 Wallace Art Awards Jury prize, and has been finalist and highly commended in many sculpture prizes including the Woollahra Small Sculpture Prize, Molly Morpeth Canaday 3D Award, National Contemporary Art Award, Deakin University Contemporary Small Sculpture Award, Waiheke Small Sculpture Prize, John Fries Memorial Prize, the Blake Prize, and the National Sculpture Prize. She received the Art and Australia Credit Suisse Private Banking Contemporary Art Award in 2014. Her solo projects have been funded by the Australian Arts Council, City of Melbourne, Arts Victoria, Creative New Zealand, and Heart of the City (Auckland Council).

Recent solo exhibitions include Higher Thinking (Vivian Gallery), Higher Thought Forms (Sanderson Contemporary), Levitation Practice (MARS Gallery), The Ceremonial Processions of Dreamers (Lindberg Galleries), The Antarctic Kingdom of Gondwanaland (Craft Victoria and Fehily Contemporary), Into the Void (Linden Contemporary Centre for the Arts), and Tana Swiwi, (Westpace, Melbourne).

Wanda has taken several artist residencies in Indonesia through Asialink and Arts Victoria and was artist in residence at the Cité Internationale des Arts, Paris, France, through the Art Gallery of New South Wales.