Louise McRae

Skip to product information
1 of 4

Louise McRae - Salty Silk, 2026

Louise McRae is an artist deeply interested in materiality, exploring
the subtleties of how sculpture can connect and respond to different
environments. 

Spending summertime in the ocean floating about, noticing it cool and smooth on her skin. Drifting naturally with the current and into wonder.
She loves a survival at sea tale, the ocean moves from liberator to captor. The best and worst experience of the survivors' life.

A favourite is Life of Pi, by Yann Martel. with an outrageous cast, a boy, a Zebra, an Orangutan, a Hyena, a Tiger and a small boat.
We drift into the unbelievable story with Martel floating us along with his words.

“Life is so beautiful that death has fallen in love with it, a jealous, possessive love that grabs at what it can. But life leaps over oblivion lightly, losing only a thing or two of no importance, and gloom is but the passing shadow of a cloud...” Life of Pi, Yann Martel
  • Copper Acrylic
  • 130mm x 150mm x 75mm
  • Unique 

You can also see Louise's larger Sculpture out on the trail.

Regular price
$950.00
Regular price
Sale price
$950.00
Tax included. Shipping calculated at checkout.
Louise McRae - Salty Silk, 2026
Louise McRae - Salty Silk, 2026
Louise McRae - Salty Silk, 2026

More from this artist

Artist Bio

Louise McRae was born into a farming family on the Kaipara Harbour. With her three older brothers nearly a decade older than her, she spent a large amount of time alone “riding horses on that coastline, imagining.”

Many years later, McRae was introduced to painting and developed a largely self-taught practice of assemblage works of paintings broken apart into pieces. She was interested in the space between and the freedom of the reassembled material. McRae then went on to complete a Master of Fine Arts at the Whitecliffe College of Art and Design in Auckland.

Realising a love for working with form, McRae has moved into creating sculpture, describing the search for form as a constant learning experience. She has not, however, moved away from her painterly roots, and instead describes herself as a painter first with an interest in form.

Fundamental to my process-based practise is materiality. Material is what it is, it is here, now, completely present. With its particular strengths and limitations. I am interested in pushing the material, toward and beyond its boundaries, pulling back just at the moment it collapses. Capturing the moment it teeters on the edge of collapse, the energy and the urgency of the making is contained within the work. Inventing process, by using material in an unusual way, develops a tension between honesty and the unexpected. Not all is as it seems.”

McRae has participated in solo and group exhibitions, and has been a regular finalist in the Wallace art awards.