Rob Thorne

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He Rau Porotītiti ki te Whenu Mārama o tētahi Pūngāwerewere


A spinning leaf suspended by the luminous thread of a spider,
2026


16 channel sound file, amplifiers, speakers
Dimensions variable

Created specifically for Brick Bay, He Rau Porotītiti ki te Whenu Mārama o tētahi Pūngāwerewere is a site-responsive sound installation that explores movement, listening and our relationship with te taiao (the natural world).

Composed using taonga pūoro (traditional Māori musical instruments) and presented through a sixteen-channel sound system, the work unfolds through subtle shifts in timing between speakers, creating a sense of sound travelling and settling through the ngahere.

At its heart is the understanding that we are not separate from nature but part of it. Rather than reproducing environmental sounds, the work uses human-made instruments—approaching the landscape with care and recognising it as an already inhabited space.

Designed to sit quietly within the landscape, the work invites visitors to slow down and notice how sound changes through movement, distance and environment.

Each experience will be slightly different - shaped by the space itself.

“Even though a visitor, I want this piece to move and rest as if alive within the forest, participating equitably like an honourable guest would, giving way to those first inhabitants who cannot simply choose another home to come from.”

The title references one version of the pūrākau (traditional narrative) of Tāne-nui-a-Rangi ascending to retrieve Ngā Kete o te Wānanga (the baskets of knowledge), where the pathway, Toi Huarewa (the suspended way), appears as a spiralling spider’s web.

During installation testing, the artist noticed a leaf suspended and spinning on a spider’s thread in front of the listening space. Taking this as a tohu (sign), the moment became the inspiration for the work’s title.

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He Rau Porotītiti ki te Whenu Mārama o tētahi Pūngāwerewere A spinning leaf suspended by the luminous thread of a spider
He Rau Porotītiti ki te Whenu Mārama o tētahi Pūngāwerewere A spinning leaf suspended by the luminous thread of a spider
He Rau Porotītiti ki te Whenu Mārama o tētahi Pūngāwerewere A spinning leaf suspended by the luminous thread of a spider
He Rau Porotītiti ki te Whenu Mārama o tētahi Pūngāwerewere A spinning leaf suspended by the luminous thread of a spider
He Rau Porotītiti ki te Whenu Mārama o tētahi Pūngāwerewere A spinning leaf suspended by the luminous thread of a spider

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Artist Bio

Rob Thorne (Ngāti Tumutumu, Ngāti Tamaterā, Ngāti Raukawa, Tainui Hauraki) is a Māori composer, performer, improviser, and anthropologist whose practice centres on the contemporary evolution of taonga pūoro (traditional Māori musical instruments) within experimental, interdisciplinary, and intercultural contexts.

Working across sound art, composition, improvisation, and installation, Thorne investigates the relationship between Indigenous knowledge systems, sonic embodiment, and spatial listening. His practice positions taonga pūoro within contemporary art discourse while remaining grounded in mātauranga Māori (Māori knowledge systems and worldview).

His work has been presented internationally through performances, exhibitions, and collaborative projects spanning contemporary music, moving image, and gallery contexts.

Notable projects include Earth Mother, Father Sky (2021), a dual-channel sound installation created with Pulitzer Prize-winning composer Raven Chacon, presented at ISSUE Project Room in New York. The work explored environmental and cosmological themes through an immersive sonic environment.

Thorne also collaborated with Fiona Pardington, alongside Ariana Tikao and Thomas Carroll, to create the accompanying sound work for Taharaki Skyside at the Venice Biennale. Through projects such as these, he continues to expand the sonic and conceptual possibilities of taonga pūoro within contemporary art and international exhibition practice.