Mary-Louise Browne

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Meteorol, 2006
Bluestone
Site Specific - commissions also available

Mary-Louise Browne has been described as a ‘sculptor of words’ and her series Transmutations that began over twenty years ago can be found in a number of significant public places throughout New Zealand. Each word in a chain, or a poem of sorts, changes its form and meaning one letter at a time. Each created for a specific site, these works are particular to their place and people. They reference the site's history, social or political, together with that of the current visitors or occupants. She notes:‘I didn’t want to make single perpendicular sculptures, I was interested in making works more supine, the difference between male and female art.’

In Wellington’s Botanic Gardens, Body – Soul (1996), was created as a staircase leading nowhere, nestled into the side of a hill, rather like an 18th century garden folly. The work references not only the sculptures and stone architecture of graveyards but also the very sentiment of such sacred sites. Browne’s most recent civic work for Auckland City titled Byword (2006), responds to the urban environment and to the city’s own history of culture and governance. Works such as Rape – Ruin (1990), at the Govett-Brewster Art Gallery are more politicised and make comment of both a sexual and feminist nature.

For Brick Bay, Browne has responded to the site with:

MIST MOST LOST LOSE LOVE LORE LORN LOIN LAIN RAIN

As with Body – Soul, Brick Bay’s Meteorol is a two way journey through the landscape. The viewer can and should engage directly with the stepping stones going both up and down the slope. The work has a physical rawness, in terms of the size of the slabs as well as their roughly hewn edges. Like the surrounding pasture, native bush and vineyard, the stone has been cultivated or cultured - words and meaning added. The lettering itself is pristine, and the serif font references classical Roman text. Taken on their own or as a chain of steps, walked slowly or on the run, the steps offer the viewer or participant a unique experience of words and meaning in the landscape.

Meteorol
Meteorol
Meteorol
Meteorol

More from this artist

Artist Bio

BORN: 1957

LIVES: Auckland

Mary Louise Browne conducts insightful explorations of the metaphorical, visual and material qualities of language in her work. The amalgamation of high art and sign making has provided a means for Browne to make complex statements in a very concise and considered manner; utilizing the inherent layers of meaning in language and form. Her unique ability to infuse mottoes, maxims, quotes and lyrics with fresh significance by placing them within an artistic context and giving them physical form allows her to make latent social and political commentary. These inherently subjective observations underpin much of her work, allowing the viewer to consider the wider associations implicit in the meticulously crafted, yet deceptively simple words presented to them.

Browne graduated with First Class Honours from the Elam School of Fine Arts, completing her MFA in 1982. Since then, she has exhibited widely in New Zealand and internationally, gaining the hard-earned respect of her peers. She is well known for her public commissions, including the award-winning Byword, several more installations in Auckland’s CBD and Wellington. Her work is featured in a number of important public and private collections.