Olivia Webb
Miserere Mei, 2016
16 channel sound file, amplifiers, speakers
Dimensions variable
Olivia Webb’s work is impossible to miss on the trail - a haunting melodic symphony of human voice drifting through the natural amphitheatre of the bush. Webb’s multi-channel sound artwork positions itself as a moving homage to the bygone song of the forest. Intended to inhabit the empty spaces within the spectrum of our modern ecological soundscape, this ‘outdoor chapel’ recalls and pays respect to lost bird song, through the performance of historically sacred music.
The largest multi-channel outdoor sound artwork in New Zealand, Miserere Mei is heard through speakers discreetly scattered throughout surrounding trees. Sitting directly in the heart of the forest, we can hear each individual voice drifting through the canopy. Webb’s voices aim to blend with their ecological environment, whilst also marking the absence of birdsong, through years of industrialisation and developments. As Webb has stated: “While retreating into nature offers a tranquil contrast to the manmade hums and drones of today’s towns and cities, the hush and calm of the forest also mark the absence of life [...] certain species can now be discerned by their silence”.
The voices we hear in Webb’s work each belong to a trained choral singer. The piece of music they sing has historic, sacred value as a polyphony, transposed to echo within the empty spaces of the forest. Webb’s experience in this field is profound, drawing on her knowledge as an artist well-versed in sound-orientated artworks and a classical choral singer herself. Through this she effectively captures the spirit of the natural soundscape.
More from this artist
Artist Bio
Olivia Webb (b.1988) is a New Zealand based artist, musician and vocalist. Drawing from her experience as a classical singer, Olivia creates works for groups and solo performers that often involve song. Her art practice utilises performance, video, sound, voice and new ways of listening to explore and usher forth silent traditions and experiences embodied in space and place.
Olivia has performed and exhibited internationally as an artist and vocalist, and has studied early music and 17th - 19th Century ensemble singing in New Zealand, France and England. She holds a BFA(hons) from Massey University NZ, a Master’s degree, and is currently completing her practice-led PhD in Art at AUT University.
Selected projects and commissions include: Manawa Ora (2018), commissioned for the Inaugural Sustainability Development Trust Summit, (Wellington, NZ); Nisi Dominus (2018) Tai Tapu Sculpture Garden (Christchurch, NZ); Attunement (2018), residency and exhibition with Flo Wilson, Toi Pōneke Art Gallery (Wellington, NZ); Untitled (2017), sound sculpture for Headland Sculpture on the Gulf (Waiheke Island, NZ); Voices Project & Lapides Vivi (2016), commissioned for the Edinburgh Art Festival (Edinburgh, Scotland, UK); The Choir of the Self (2016), solo exhibition at The Audio Foundation (Auckland, NZ); Scale (2015), multi-channel sound installation exhibited and performed at Te Tuhi Centre for the Arts (Auckland, NZ) and The Auricle (Christchurch, NZ); In Paradisum (2015), solo sung performance above and below water for the Oceanic Performance Biennale (Cook Islands).
